Please share anything beautiful here, in this thread.
I'll start with an essay and two poems that I truly adore. I hope you can get something out of them too, honestly. Try to read them with and open mind and a emotional inner voice--doing that makes them oh so much more wonderful.
| Leap, an essay by Brian Doyle on the September 11th Attacks | wrote:A couple leaped from the south tower, hand in hand. They reached for each other and their hands met and they jumped.
Jennifer Brickhouse saw them falling, hand in hand.
Many people jumped. Perhaps hundreds. No one knows. They struck the pavement with such force that there was a pink mist in the air.
The mayor reported the mist.
A kindergarten boy who saw people falling in flames told his teacher that the birds were on fire. She ran with him on her shoulders out of the ashes.
Tiffany Keeling saw fireballs falling that she later realized were people. Jennifer Griffin saw people falling and wept as she told the story. Niko Winstral saw people free-falling backwards with their hands out, like they were parachuting. Joe Duncan on his roof on Duane Street looked up and saw people jumping. Henry Weintraub saw people "leaping as they flew out." John Carson saw six people fall, "falling over themselves, falling, they were somersaulting." Steve Miller saw people jumping from a thousand feet in the air. Kirk Kjeldsen saw people flailing on the way down, people lining up and jumping, "too many people falling." Jane Tedder saw people leaping and the sight haunts her at night. Steve Tamas counted fourteen people jumping and then he stopped counting. Stuart DeHann saw one woman's dress billowing as she fell, and he saw a shirtless man falling end over end, and he too saw the couple leaping hand in hand.
Several pedestrians were killed by people falling from the sky. A fireman was killed by a body falling from the sky.
But he reached for her hand and she reached for his hand and they leaped out the window holding hands.
I try to whisper prayers for the sudden dead and the harrowed families of the dead and the screaming souls of the murderers but I keep coming back to his hand and her hand nestled in each other with such extraordinary ordinary succinct ancient naked stunning perfect simple ferocious love.
Their hands reaching and joining are the most powerful prayer I can imagine, the most eloquent, the most graceful. It is everything that we are capable of against horror and loss and death. It is what makes me believe that we are not craven fools and charlatans to believe in God, to believe that human beings have greatness and holiness within them like seeds that open only under great fires, to believe that some unimaginable essence of who we are persists past the dissolution of what we were, to believe against such evil hourly evidence that love is why we are here.
No one knows who they were: husband and wife, lovers, dear friends, colleagues, strangers thrown together at the window there at the lip of hell. Maybe they didn't even reach for each other consciously, maybe it was instinctive, a reflex, as they both decided at the same time to take two running steps and jump out the shattered window, but they did reach for each other, and they held on tight, and leaped, and fell endlessly into the smoking canyon, at two hundred miles an hour, falling so far and so fast that they would have blacked out before they hit the pavement near Liberty Street so hard that there was a pink mist in the air.
Jennifer Brickhouse saw them holding hands, and Stuart DeHann saw them holding hands, and I hold onto that.
| The Story We Know, a poem by Martha Collins | wrote:The Story We Know
The way to begin is always the same. Hello,
Hello. Your hand, your name. So glad, just fine,
and Good bye at the end. That's every story we know,
and why pretend? But lunch tomorrow? No?
Yes? An omelette, salad, chilled white wine?
The way to begin is simple, sane, Hello,
and then it's Sunday, coffee, the Times, a slow
day by the fire, dinner at eight or nine
and Good bye. In the end, this is a story we know
so well we don't turn the page, or look below
the picture, or follow the words to the next line:
The way to begin is always the same Hello.
But one night, through the latticed window, snow
begins to whiten the air, and the tall white pine.
Good bye is the end of every story we know
that night, and when we dose the curtains, oh,
we hold each other against that cold white sign
of the way we all begin and end. Hello,
Good bye is the only story. We know, we know.
| Us, a poem by Anne Sexton | wrote:I was wrapped in black
fur and white fur and
you undid me and then
you placed me in gold light
and then you crowned me,
while snow fell outside
the door in diagonal darts.
While a ten-inch snow
came down like stars
in small calcium fragments,
we were in our own bodies
(that room that will bury us)
and you were in my body
(that room that will outlive us)
and at first I rubbed your
feet dry with a towel
because I was your slave
and then you called me princess.
Princess!
Oh then
I stood up in my gold skin
and I beat down the psalms
and I beat down the clothes
and you undid the bridle
and you undid the reins
and I undid the buttons,
the bones, the confusions,
the New England postcards,
the January ten o'clock night,
and we rose up like wheat,
acre after acre of gold,
and we harvested,
we harvested.